Abdul Qader Badr, is a self-taught Libyan visual artist born in Benghazi. His artistic journey began in 1987 when he joined the Free Studio, and since then, he has consistently showcased his creativity through numerous local and international exhibitions. His current exhibition is his fifth solo showcase and a testament to his enduring passion and evolving artistry.
Badr’s journey started in 1995, and over the years, he has continuously refined his artistic style. In 2004, he embraced abstract art, a direction he has remained dedicated to ever since. His fifth exhibition features 45 artworks that beautifully capture the essence of Libya’s ancient cities, North African landscapes, and maritime scenes. His works are characterized by an accessible abstract-expressionist style, allowing audiences to engage deeply and connect emotionally with his pieces.
It is worth mentioning that his mentor was the late artist Mohammed Astaita, whose guidance led Badr to hone his craft and actively participate in most collective exhibitions held in Libya since 1987.
The Meaning Behind “Turquoise”*
Badr chose the name “Turquoise” for his exhibition as a tribute to the color that symbolizes calmness, love, and peace. He explains, “Turquoise is the color of the sea that graces Libya’s shores. It is a joyful hue that reflects the spirit of the artworks I created in 2024. I wanted this exhibition to be a celebration of colors and the creative journey I have undertaken.”
The State of Visual Art in Libya
Badr believes that visual art in Libya is gaining increasing attention, though it still requires more support to reach its full potential. He highlights that the artistic landscape spans various cities, including Benghazi, Tripoli, Misrata, Derna, Al Bayda, Al Zawiya, and Sabratha, fostering collaboration and exchange among artists. He also emphasizes the vital role of academic institutions, such as the Faculty of Arts in Tripoli and the Department of Art Education at the University of Benghazi, while advocating for the establishment of an art college in Benghazi to nurture young talents.
Audience Opinions and Exhibition Success
Badr’s fifth exhibition has been a resounding success, drawing a wide audience of art enthusiasts and critics alike.. Badr sees this enthusiastic engagement as evidence of the evolving artistic sensibility among the Libyan public, signaling a promising future for the country’s art scene”